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Home of the one and only Fandrich Vertical Action that plays like a grand.
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"Thank you so much for the incredible piano you graciously provided for our concert production of 'Anyone Can Whistle' . . . The show was a great success . . . the lucky person who played your piano, Scott Warrender, was delighted with the intrument and was raving about it. He is a widely respected musical theatre composer, whose works have been performed around the Seattle area and also off-Broadway. I thought you would like to know how pleased he was with your wonderful piano."

-- Margaret Stenson Pehrson
Producing Artistic Director, Showtunes! Theatre, commenting on the Fandrich & Sons Model 213HGS.



"Yours are the best pianos you can play on except maybe a Steinway--I could easily play either one. No one can come close for the price, evenness of tone, and action performance. Your Steinberg grand did everything I wanted it to. It has clarity and transparency in the upper register with no loss of warmth."

-- Reuel Lubag
Pacific NW regional jazz artist, Glen Miller band alumnus.



"The piano I'm playing tonight is a Fandrich & Sons built by Darrell Fandrich. He's been kind enough to lend his piano to this and several other jazz venues recently. As a piano player this is a great thing! We need to encourage Darrell to keep doing this, and if you're in the market for a piano, if you buy this one maybe I'll come over to your house and play it!"

-- Dave Peck
Seattle jazz recording and performing artist, on the occasion of his CD release party at Jazz Alley, Seattle.



"This is just a gorgeous instrument....I'd like to thank the Fandrichs and also thank the piano!."

-- Lynne Ariale
At Tula's (Seattle jazz club).



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"The first time I played on your piano with the new [FVA] action, I found it an amazing experience - it was difficult to believe I was not playing on a grand piano. I could see that I was sitting in front of an upright instrument, but the sensitivity to the touch and its capability of giving many degrees of shading and tone coloring were astonishing. Even grand pianos, unless they are the finest, do not respond with the gradations of tone that this upright can give. Recalling the poor pianos often found in practice rooms throughout many music schools and colleges, I cannot help thinking what a boon this piano would be to many aspiring young musicians. In homes also, this piano will greatly help student pianists to develop sensitivity to tone and touch. If a student has a good piano which responds to the various types of touch, gives different tone colors, and lets him know when he has gotten the touch right, he is going to develop greater control and skill in less time. I feel this invention will prove a blessing to all students and their teachers."

-- Michiko Morita Miyamoto