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Home of the one and only Fandrich Vertical Action that plays like a grand.
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Regarding her very first time playing her new Fandrich & Sons Model 165 (5'5") grand, ordered sight unseen:

"It plays beautifully...I will admit a goofy thing I did when I very first played it...I played a few low chords and the bass was so rich I actually looked underneath the piano. I think I was just saying to myself, "WHERE THE HELL DID THAT COME FROM?" That was pretty silly. What was I expecting to find? A subwoofer? I'm so fortunate to have found a wonderfully playable piano. Now if only I could do it justice.

-- Maria Perillo
Cape Cod, MA



"Our new piano [Model 126V] is a joy!!!! We play at least 2 hours a day between the two of us and it is now the biggest part of our lives! I can't tell you how happy we are with this beautiful instrument!! It has changed our lives!"

-- Lenore and Ken Doler
Santa Cruz, CA



Regarding the Model 185:

"Thank you for allowing me to use your Fandrich & Sons piano on my latest Jazz Trio CD recording. Your piano has everything a classically trained artist would want: a quick and fluid action; beautiful, singing tone, yet powerfully bold when called upon. The action doesn't control me - I control it. It's heaby enough to respond but light enought that you can execute. It plays itself! You're getting the sweet part of each tone at all volume levels, like the piano is an extension of my brain. To this point it is one of the finest pianos I have ever played. Thanks for all your hard work!"

-- Jim Martinez
Sacramento, CA. www.jimmartinez.com



"The piano is sounding better than any other piano we've heard recently in its size range. My son recently played at a recital on a well maintained 7' Kawai, and I'd say the 6'1" Fandrich & Sons is at least its equal tone-wise."

-- Dave Rosky
Model 185 owner. Nevada City, CA.



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"The first time I played on your piano with the new [FVA] action, I found it an amazing experience - it was difficult to believe I was not playing on a grand piano. I could see that I was sitting in front of an upright instrument, but the sensitivity to the touch and its capability of giving many degrees of shading and tone coloring were astonishing. Even grand pianos, unless they are the finest, do not respond with the gradations of tone that this upright can give. Recalling the poor pianos often found in practice rooms throughout many music schools and colleges, I cannot help thinking what a boon this piano would be to many aspiring young musicians. In homes also, this piano will greatly help student pianists to develop sensitivity to tone and touch. If a student has a good piano which responds to the various types of touch, gives different tone colors, and lets him know when he has gotten the touch right, he is going to develop greater control and skill in less time. I feel this invention will prove a blessing to all students and their teachers."

-- Michiko Morita Miyamoto